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I think it's thinking up original ideas that are out of the ordinary. To use your examples, the plot of the Matrix was a totally new idea, and we all know that Pratchett looks at things in a very, ahem, different way from other people.
![]() Big words have nothing to do with it, as you said, although an eloquent style like Pratchett helps to get an idea across better. |
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The Matrix wasn't actually all that original. It's just that the ideas were presented to a mass audience for the first time, and a lot of people won't have seen the stuff it's derived from, so would see it as something exciting and new.
It's probably the same for The Da Vinci Code... very little of it is new (the theories, etc have been around for a while), but it's the first time they've been presented to a mass audience. Maybe that's why they seem intelligent. |
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That is an interesting question. In the case of the Da Vinci Code, it would say it comes down to the way the author crafts a storyline around all those elements (all the different clues, iambic poems). I guess that could be perceived as cleverly done if it wasn't for the fact that the central theory in the book is not in fact his (coined for the first time in a similar book in the 80s*) or for the fact that most of his interpretations are false and that there is no real basis for any of his conclusions. It could also be because you have to think when you read the book. I don't think it is an intelligent book, though.
I think it is inevitable that any book with a message and enough art and history references will be seen as intelligent by society in general. A little bit of intelligence by association, I guess. Is Pratchett's work intelligent and why would it be? The knowledge, the references, the message? Frankly, I don't know. I think it is, because of the detail and the depth, but for a large part it depends on your perception and definition of intelligence. Edit: crosspost *Pretty popular book, so this wasn't even the first time this theory was presented to the public. |
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Also the idea that deja vu meant a glitch in the Matrix. I love that idea. ![]() |
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The matrix was many young people's first introduction to rudimentary concepts of philosophy. Most of them aren't even that "deep", but given that the average youth of today has been given as much encouragement to read and expand their knowledge as the average Hun was encouraged to PLEASE sack our cities, we really don't enjoy living that much after all, it's not that surprising that so many people thought the matrix was original, deep, or... i dunno, meaningful.
I found it quite alarming that after the Wikowski (whatever their name is) brothers were sued for and found guilty of stealing the whole plot to The Matrix from some old woman who'd submitted it to a publishing company they worked for years ago, all the little Matrix fanboys who'd been praising these ripoff artists as genuises and possibly prophets turned with unbridled venom upon the woman who actually wrote it, and said she was just in it for the money and trying to slander the names of their heros. I wish I could say that sort of pathos was original, but the stupidity inherent in the human species is the only thing that's remotely meaningful in all of this. The Da Vinci code is, from all i've heard, a nice little work of fiction. It brings up the Merovingian legends again which we hadn't heard of in a while (and, surprise surprise, were ripped off for the Matrix sequels), and it probably, from what I can tell, touches on the Cathars a bit as well. The thing is, it's fiction. and yet you've got hordes of braindead suburbanites thinking that Jesus got it on and populated the world with superbabies. Sure, why not. while we're at it, Zeus peed on a woman in a sea chest and Persius came about from it and killed a gorgon sister. Now THAT was original. |
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No, the bits where I said it wasn't an original idea and relied on other, fundamental principles of various philosophical movements means it wasn't an original idea. If you want originality in your sci-fi, read Azimov or Clark, or even Verne and Wells. If you want originality in your philosophy, read Neitzche, Socrates, and Plato. If you want simplistic, trendy derivative bullshit, go to the movies. edit: added the bold word. edit: fixed the bold word. edit: fixed the stupid bold coding AGAIN. |
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